多(duō )摩湖のほ(😳)と(🤙)り(🛵)で男性(xìng )の遺体(🦓)が(📙)発見(jiàn )された。遺体(tǐ )の身元は、株(🛶)式(👁)(shì(🍟) )会社橋本商事(shì(📚) )の(🌑)社(shè )長である橋本(běn )圭一（山上(👔)賢(🎃)(xiá(🥙)n )治(🚛)）と判明。死(sǐ )因(🔑)は頭がい骨の骨(gǔ )折による失血(xuè(🎏) )死(🖖)で(🏓)、後頭部(bù )を鈍(🧥)器(👀)のようなもので殴打されていた(🔉)。身(🥠)元(⏭)確(🔵)(què )認に来た社員(😠)の(😎)伊藤（浅香航(háng )大）によると、(🤾)橋(🍌)(qiá(🔆)o )本は最後の電(diàn )話(♓)(huà )で、兵庫の「丹波(bō )篠山」にい(⚫)る(🕺)と(🤐)言っていたとい(💀)う(🚆)。遺体が発見された東(dōng )京の多摩(🕝)湖(🐯)か(👹)ら(🎚)は距離があるこ(😓)とから、別の場(chǎng )所で殺害された(🥚)後(🌧)(hò(🚅)u )に遺棄された可(🌷)能(🤤)性がでてきた…。

Seventy-two hours from the final of an international female bodybuilding championship. Lea Pearl is set to compete for the prestigious title of Miss Heaven. But her past catches up with her when her ex-lover Ben shows up with the six-year-old son she hardly knows.

A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.

《拳(quán )职妈妈(💱)》讲(🍅)述(🕧)(shù )了一位伟大的(🅾)(de )拳(🧡)击手母亲为了(le )鼓励儿子成为(wéi )一(👻)个(📭)(gè(🅾) )顶天立地的男(nán )子(💡)汉，带着患(huàn )有(yǒu )癌症的身体去(qù )参(😸)加(〰)(jiā(😭) )拳击比赛，最(zuì )终(📨)儿(❄)子受到激(jī )励，成长为男子(zǐ )汉的(⛰)励(💃)志(🌎)故(🚑)事(shì )。

威(wēi )尼斯國(➰)際電影(yǐng )節參展作品

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.